Hosozao Shamisen Set “Wakaba”

I named this shamisen “Wakaba” (若葉) because it symbolizes new beginnings and growth. The name literally translates to “young leaf”. Just like young leaves mark the arrival of spring, this shamisen represents a fresh start on a musical journey. It carries the spirit of renewal and endless potential. This is what I want Wakaba to be for you: a companion that grows with you, bringing joy and inspiration as you explore the world of sound together!

The instrument is in very good condition – it shall make you happy for many, many years to come.

The style of this shamisen is (hosozao), typically used for Nagauta, Kouta and Hauta playing style. Neck sizes vary within the building types, and this one is not too slender and comfortable to play.

Wood:

The instrument’s neck is made from shitan wood – a traditional high-end hardwood for shamisen making. It was the #1 wood for shamisen building before koki wood’s deep dark sheen and crazy figurations emerged in the last decades. This means even when you advance as a player, this instrument will still sound great and never sound like “not enough”. In my personal opinion, shitan wood sounds livelier and more multi-faceted than koki. It’s personal preference, what you think is best.

Accessories and Skins:

The instrument comes with a green doukake with a golden pattern called kikkō, resembling tortoiseshells, symbolizing longevity, strength, and protection. The green neo (string holder) matches the doukake. Also included in the package is a set of fresh strings, a dougomu, and a tenjin cap!  The dou is freshly skinned with hibiki synthetic skins on the front and back.

Neck:

This neck is 27 mm high/thick at the top and widens slightly towards the dou. The fingerboard is 26 mm wide at the narrow end. The elegantly slanted hatomune – the part where the neck enters the sound box – is typical for hosozao shamisen associated with Nagauta style. You can play up to position 19 with this kind of neck.

Itomaki:

The itomaki (tuning pegs) are made from ebony wood and are carved in a traditional way that makes them easy to grip despite their slender built.

More:

The tsukigata (the curved end of the tenjin) is in perfect condition, and the instrument’s wood has a beautiful reddish shade and beautiful grain. The neck is crafted in mitsuori style: It can be separated into three parts. This makes travelling with the shamisen very easy – even if you have to get by with light and small luggage.

All you need to add to your set to start playing are a koma, a bachi and a yubisuri. Depending on the style you intend to play and your personal preferences, you want to pick a certain kind of koma and bachi. Yubisuri come in different sizes, and I didn’t want to deprive you of the difficult yet fun choice between all the wonderful colors.

If you need help with picking the right additions to this set, don’t hesitate to send a message and we will find the perfect match for you together.

If you have any further questions, reach out and send me a message and I’ll be happy to help.